“And God He come walk about along garden, and He sing out, ‘Adam!’ Adam he no speak. He too much fright. My word! And God He sing out, ‘Adam!’ And Adam he speak, ‘You call ’m me?’ God He speak, ‘Me call ’m you too much.’ Adam he speak, ‘Me sleep strong fella too much.’ And God He speak, ‘You been eat ’m this fella apple.’ Adam he speak, ‘No, me no been eat ’m.’ God He speak. ‘What name you gammon along me? You been eat ’m.’ And Adam he speak, ‘Yes, me been eat ’m.’ Now I leave it to you. Who ever heard of a sailing-boat that wouldn’t heave to?—that wouldn’t heave to with a sea-anchor to help it? Out of my brief experience with boats I know I never did. And I stood on deck and looked on the naked face of the inconceivable and monstrous—the Snark that wouldn’t heave to. A stormy night with broken moonlight had come on. There was a splash of wet in the air, and up to windward there was a promise of rain-squalls; and then there was the trough of the sea, cold and cruel in the moonlight, in which the Snark complacently rolled. And then we took in the sea-anchor and the mizzen, hoisted the reefed staysail, ran the Snark off before it, and went below—not to the hot meal that should have awaited us, but to skate across the slush and slime on the cabin floor, where cook and cabin-boy lay like dead men in their bunks, and to lie down in our own bunks, with our clothes on ready for a call, and to listen to the bilge-water spouting knee-high on the galley floor.!

On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows. At first the separation proved very painful to her. But her daughter wrote her three times a week and the other days she, herself, wrote to Virginia. Then she walked in the garden, read a little, and in this way managed to fill out the emptiness of the hours.

Felicite imagined that Havana was a place where people did nothing but smoke, and that Victor walked around among negroes in a cloud of tobacco. Could a person, in case of need, return by land? How far was it from Pont-l’Eveque? In order to learn these things, she questioned Monsieur Bourais. He reached for his map and began some explanations concerning longitudes, and smiled with superiority at Felicite’s bewilderment. At last, he took a pencil and pointed out an imperceptible black point in the scallops of an oval blotch, adding: “There it is.” She bent over the map; the maze of coloured lines hurt her eyes without enlightening her; and when Bourais asked her what puzzled her, she requested him to show her the house Victor lived in. Bourais threw up his hands, sneezed, and then laughed uproariously; such ignorance delighted his soul; but Felicite failed to understand the cause of his mirth, she whose intelligence was so limited that she perhaps expected to see even the picture of her nephew! So Darling went thence in search of a climate which would not only be desirable, but wherein he would not be undesirable. And he found it in Tahiti, the garden-spot of garden-spots. And so it was, according to the narrative as given, that he wrote the pages of his book. He wears only a loin-cloth and a sleeveless fish-net shirt. His stripped weight is one hundred and sixty-five pounds. His health is perfect. His eyesight, that at one time was considered ruined, is excellent. The lungs that were practically destroyed by three attacks of pneumonia have not only recovered, but are stronger than ever before. As I write these lines I lift my eyes and look seaward. I am on the beach of Waikiki on the island of Oahu. Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea. Nearer, the sea is emerald and light olive-green. Then comes the reef, where the water is all slaty purple flecked with red. Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks. Through and over and out of these wonderful colours tumbles and thunders a magnificent surf. As I say, I lift my eyes to all this, and through the white crest of a breaker suddenly appears a dark figure, erect, a man-fish or a sea-god, on the very forward face of the crest where the top falls over and down, driving in toward shore, buried to his loins in smoking spray, caught up by the sea and flung landward, bodily, a quarter of a mile. It is a Kanaka on a surf-board. And I know that when I have finished these lines I shall be out in that riot of colour and pounding surf, trying to bit those breakers even as he, and failing as he never failed, but living life as the best of us may live it. And the picture of that coloured sea and that flying sea-god Kanaka becomes another reason for the young man to go west, and farther west, beyond the Baths of Sunset, and still west till he arrives home again.